Willy Van Rooy Vogue cover, September 15, 1967, ph: David Bailey
Ph: Helmut Newton
Steven Meisel photographed Willy van Rooy for his trubute to Yves Saint Laurent in the August 2008 Italian Vogue.
Interview with Willy van
Rooy, from
http://groups.msn.com/minimadmod60s.
MMM60s: First of all, we would like to thank you for sharing your photographs and stories
with us. It is not often one gets such an intimate glimpse into that vivid and wildly romantic era.We understand that because of you visibility on
MMM60s, you were recently contacted by
Italian Vogue to participate in a photo shoot.
Willy: Yes I got an email to ask if I would be available and interested to do a shoot for Italian Vogue the 9
th and 10
th of June. The photographer would be Steven
Meisel. I was a bit nervous and nothing was
for sure but I answered that I would be thrilled. I kept my fingers crossed. I have learned to not make myself any illusions and I figured I would probably be an extra and appear in some picture in the background... Still, I was excited about it and just to work with
Meisel is already a trip. I am only 5.7" and I do know now my measurements because I had to give them to Vogue, 35- 27-36. Not as thin as I used to be, but carry the same weight always, somewhere between 116 and 122 pounds. They asked me for some recent snapshots.
MMM60s: ...Are you thinking of getting back into modeling?
Willy: I think if something is bound to happen it will. Of course I do all my best to keep
my mind lucid and free so things can happen. Anyway it is very important to know what one
really wants but once you know the doors will open by magic. You know that just a few days before I got the email I was talking with my friend, Rory Flynn, who was a model too in the 60's and 70's, and now is a
headshot photographer, that we both should go back to modeling and that we could have fun making a whole day of pictures of each other and then find an agent (still with the illusion that they are really waiting for us).And then out of the blue comes that email and I was working for Italian Vogue!It is a sort of miracle. Of course, I realize that it would be totally impossible for me to be a
commercial model unless I would really be allowed to look like a grandmother, no glamour
or beauty, and only with the very best people. Then it becomes interesting because you
know they wanted you because they saw something that inspired them.
MMM60s: So how was the booking? How was it working with a fabulous photographer again?
Willy: To work with Steven was a great pleasure. You know you are going to look great because you
know he wants to make a good picture and you also know he can. Everybody was very kind and what a
setup! There were at least 60 people and tents and dressing-room-cars and toilets and an
incredible catering and many people walking around doing something. The make up was by Pat
McGrath and her artists, and Jeffrey did mine. He was very funny! All the hair was by Guido and his
equipe and several young stylists supervised by KARL
TEMPLER the Vogue editor, I know he is one of the fans of your site. All this was done in a big cemetery and of course all the clothes were black. Beautiful clothes, D&G, Chanel, Dior,
YSL etc.
MMM60s: Wow, just like the kind of clothes you modeled in the Sixties and Seventies.Were there any other models?
Willy: Linda
Evangelista was there and she is very beautiful and very kind. There were three other girls, one
by the name of Karen and she is
soooo beautiful, too. Wow! And two very young lovely models named Iris and Guinevere as well as three handsome male models. All together, on the first day, I did five pictures, two group shots and three by myself.! I think it went well and it was a very nice day. They even came to pick me up in a beautiful car with chauffeur who opens the door for you and in between shoots they immediately came running with a chair and
a bottle of water and you see the pictures straight away ( I never dare to look at mine) they
have enormous computerized machines,
enfin unbelievable!
MMM60s: Did you work a second day?
Willy: I did work the second day too and all together I was in nine pictures ,of which three of them were solo.It was fun to work with Linda, she is very kind and at a point even said to me that she it was an honor
to work with me! What do you know!? Some of the models are interested in seeing my jewelry which is great. Now I realize, though, that it is not that easy to start modeling again, for me at least. Of course to work with Steven
Meisel or other very good photographer is OK, They can make you look good,especially for magazines like Vogue and so on, which is fun but does not bring home the bacon and
I am afraid I am not commercial at all. The clothes fit me perfect though, really amazing and
the stylist even said they looked so elegant on me, that's why I thought of maybe returning to
the catwalk, but the heels.......We will see...
MMM60s: We think you are being too modest, Willy. You have not lost a thing.Well, we will certainly look forward to the pictures in Italian Vogue when they come out in August. Once again, thanks for all your very interesting input. You really brighten up the site.
Willy: My working for Vogue again is all because of
MMM60s. They never would have
found me if not for this site. Many people on the set there read your website and some knew
and follow my story and told me it was fascinating, so funny!
A Single Man. Yes I know I'm slow off the mark, but didn't manage to see it at the movies so finally rented it on DVD. Beautiful story that manages to capture the heart and the pathos and of the book, shot through the gorgeously luxe lens of Mr Tom Ford. Beautiful sets, clothes, and people - mise en scene to die for!
Robert Mapplethorpe. I just finished reading Just Kids and I cried. Robert was a beautiful talented angel with raggedy wings whose photographs draw you in to their endless inky pools of liquid black, which captures me in a way that Caravaggio's paintings with their striking use of chiaroscuro. You can get lost in that darkness.
Alison Mosshart & Jamie Hince for Zadig & Volatire. Fabulous shots by Olivier Zahm.
Victoria Beckham eye wear. Need I elaborate?!
Julianne Moore for Bulgari. Luxe-a-licious.
Stevie Nicks, and Fleetwood Mac. Having just watched the doco on the making of Rumours again, am totally entranced by the music, the harmonies and the raw emotion of the band during this time. And of course, Stevie is the quintessential rock chick. (Gee, she looks like Rachel Zoe here!)
